Wednesday, February 11, 2009

Making Money With Your Music Have you registered yet? Saturday, 2/21 @ 2 p.m. EST


Register Here: http://www.intheknowseminars.com/register.html


Webinar Content Overview:
For our February Webinar there will be a discussion of the many ways artists can get paid with their art form: TV, film, video games, digital downloads, ringtones, selling CDs, mixed tapes, mixed DVDs, endorsement deals, touring, selling beats, starting a label and putting on other artists, film scoring, royalties (performance, sales, synch fees, mechanicals), etc.

Come see why we have had over 300 register in past months!
In The Know Seminars is a cutting edge way to bring entertainment conferences & seminars with qualified, results oriented panelists and facilitators into the comfort of your own home. How, you ask? With In The Know Seminars, it's all done online. You are able to attend topic specific seminars which are facilitated by Industry Vet, Ms. Wendy Day while boasting a panel of decision makers and proven professionals in the industry. You will learn from the best, be able to ask questions in a non-intimidating learning environment and receive a follow-up In The Know Knowledge Pack in the mail upon completion.

We do these monthly, and they are topic specific so you are learning in a controlled and concentrated learning environment. Where else can you get 12 seminars for a total of $500 or 1 for $49 and not have to travel???

Webinar Moderator - Managing Partner of In The Know Holdings - Wendy Day
Ms Day has negotiated some stellar distribution deals in urban music. She has played a part in Eminem's deal at Aftermath/Interscope, Master P's No Limit deal with Priority Records, DJ DMD's deal with Elektra, Fiend's deal with Ruff Ryders, Trick-Trick's joint venture with Universal/Motown, UGK's renegotiation with Jive Records, and Ruff Ryder's renegotiation with Interscope. She negotiated the incredible joint venture deal for Twista with Atlantic Records in 1996, which both The Source and Rap Pages magazines called "the best deal in the history of Black music," until she topped her own record with the now famous $30 million dollar deal for Cash Money Records with Universal. She focuses on complete control and ownership for the independent label in all of her deals. Master P was the first artist to keep control and ownership of 100% of his masters for No Limit.

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